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Read online Art in Theory 1900 - 2000: An Anthology of Changing Ideas.pdf PDF, EPUB, MOBI, TXT, DOC Art in Theory 1900 - 2000: An Anthology of Changing Ideas This popular anthology of twentieth century art theoretical texts has now been expanded to take account of new research and to include significant contributions to art theory from the s .

Includes writings by critics philosophers politicians and literary figures The editors provide contextual introductions to texts Complements Art in Theory and Art in Theory to create a complete survey of the theories underpinning the development of art in the modern period by Charles Harrison, Paul Wood

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Art in Theory 1900 - 2000: An Anthology of Changing Ideas
Title:Art in Theory 1900 - 2000: An Anthology of Changing Ideas
Format Type:eBook PDF / e-Pub
Rating:
Author:
Published:
ISBN:0631227083
ISBN 13:
Number of Pages:
Category:Art, Art history, Non fiction, Reference, Philosophy
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Art in Theory 1648-1815: An Anthology of Changing Ideas, Modernism, Essays on Art and Language, A Humorous History of England, Conceptual Art and Painting: Further Essays on Art & Language (Writing Art), An Introduction to Art, Art in Theory 1815-1900: An Anthology of Changing Ideas, Art in Theory 1900-1990: An Anthology of Changing Ideas, Painting the Difference: Sex and Spectator in Modern Art, Art in Theory 1900 - 2000: An Anthology of Changing Ideas
Current debates about the status of Modernism have led to an increasing interest in critical and aesthetic theories and to a questioning of some of the traditional assumptions and limits of art history The aim of this substantial anthology is to equip the student teacher and interested general reader with the necessary materials for an up to date understanding of twentieth century art br Beside the writings of the century s major artists Art in Theory includes relevant texts by critics philosophers politicians and literary figures It is organised into eight sections from the legacy of Symbolism at the turn of the century to contemporary debates about the Postmodern Each section is prefaced by a brief essay There are introductions for all of the plus texts which serve to place theories and critical approaches in context The result is both a comprehensive collection of documents on twentieth century art and an encylopaedic history of relevant theory, These essays by art historian and critic Charles Harrison are based on the premise that making art and talking about art are related enterprises They are written from the point of view of Art amp Language the artistic movement based in England and briefly in the United States with which Harrison has been associated for thirty years Harrison uses the work of Art amp Language as a central case study to discuss developments in art from the s through the s According to Harrison the strongest motivation for writing about art is that it brings us closer to that which is other than ourselves In seeing how a work is done we learn about its achieved identity we see for example that a drip on a Pollock is integral to its technical character whereas a drip on a Mondrian would not be Throughout the book Harrison uses specific examples to address a range of questions about the history theory and making of modern art questions about the conditions of its making and the nature of its public about the problems and priorities of criticism and about the relations between interpretation and judgment, No description available, No description available